Original leaf from a large manuscript Spanish Gradual on animal parchment. (533 x 370mm – 21 x 14.5”)
The manuscript text and music (5 lines of music on a five-line stave) were beautifully executed by hand over 500 years ago in the 15th century!!! Small pieces of parchment were added long ago to the lower right margin and the inner margin to strengthen edge where tears had occurred.
Spain, c. 1475-1500.
One elegant puzzle initial in red & blue with elaborate internal & external geometric "puzzle design" (in the Moorish influenced Mudejar style) in intricate red & violet penwork; Three elaborate knot-work (cadel) initials heightened with yellow - two with intricate internal design in violet.
“A pen with a long slit - half or three-quarters of an inch - was used for drawing these flourishes” (Reference: Mudejar Ornament in Manuscripts, by Frances Spalding, p. 4, Hispanic Society of America, 1953,). Aside from the pen a sizable amount of talent was also required to produce this amazing fluid puzzle design!
The knot-work “B” concludes the Sanctus: “Benedictus…” (Blessed is He who comes in the name of the Lord. Hosanna in the highest).
The illuminated “A” begins the Agnus Dei: “Agnus dei…” (Lamb of God, who takes away the sins of the world, have mercy upon us).
The knot-work “A” “Agnus dei…” (Lamb of God, who takes away the sins of the world have mercy upon us…).
As is usual with Medieval and Renaissance parchment, the hair side of the leaf is darker than the flesh side, but may take ink somewhat better. The differences in tone caused scribes to arrange their quires so that the hair side of one sheet faced the hair side of the next, and the flesh side faced the flesh side.
Graduals contain the musical chants for the proper of the Mass: introits, graduals, tracts, alleluia, offertory and communion verses, and sequences for special feasts. They may also include chants for the ordinary of the Mass: Kyrie, Gloria, Sanctus, Agnus Dei, and for the introductory ‘asperges’ rite.